![]() ![]() ![]() The latter is usually easier but can be a more frustrating option when one miscalculation triggers a nightstick to the face right near the end of a level. There are usually two ways to tackle a level: fast and messy, navigating patrols and cleaning on the fly, or slowly monitoring routes and ducking in and out of cover accordingly. ‘Cleaner vision’ allows you the ability to zoom out at any time and survey the environment for the location of bodies, police, and hiding spots.Įarly levels keep things small, making it much easier to get to grips with the game's mechanics. The general flow of gameplay comprises of back and forth trips to the car with bodies - the position of which can change between failed attempts - clearing evidence, and reaching a percentage quota of blood removal before fleeing the scene. Much like in the aforementioned Hotline Miami games, it’s easy to think you have someone’s line of sight nailed down, only to catch the thinnest sliver of vision and then it's lights out for our intrepid cleaner. Enemies (technically the good guys) have a number of set paths and their cone of vision is large and initially unpredictable as it splits across bits of the scenery. ![]() Our protagonist arrives at the scene in his beat up station wagon and sneaks around ever more elaborate and expansive environments while avoiding patrolling fuzz. There are no bloody shootouts or car chases set to a funky soundtrack here - all the action takes place after the fact. ![]()
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